Instrumentation : PfThe recently re-discovered ´Chess Pieces´ by John Cage is a work unique to Cage´s oeuvre and indeed to twentieth-century music and art. In 1944, Cage created the painting, ´Chess Pieces´, specifically for ´The Imagery of Chess´ exhibition at the Julien Lev y Gallery in New York, a ground-breaking event organized by Levy, Max Ernst and marcel Duchamp during the winter of 1944-45. ´Chess Pieces stands at the confluences of John Cage´s three primary life-long interests: music, visual arts and chess.´ Margaret Leng Tan
In this hour, Aimee Mullins is an athlete, fashion model and activist who uses whichever of her 12 pair of prosthetic legs is appropriate for the task at hand. Next, commentator Erika Monroe-Kane reflects on the appeal of driving really fast.Then, Kate Sekules is the author of The Boxer’s Heart: How I Fell in Love with the Ring, and a former professional boxer. She tells Anne Strainchamps how she got into the sport, why she enjoyed getting really strong, and how she coped with her anger during bouts. She still thinks there’s a lot to admire in women’s boxing.After that, Melissa Joulwan is the author of Rollergirl: Totally True Tales from the Track. And she ought to know. Joulwan plays for a roller derby team under the name ´´Melicious.´´ She tells Anne Strainchamps why the sport´s enjoying a renaissance, and why most of the players are feminists who enjoy playing with the sexual and warrior imagery.Following that, Tina Bertoni provides a commentary on what it was like to hunt a bear.Next, Kim Hiss tells Anne Strainchamps about her first hunt. Kim Hiss is an Associate Editor for Field and Stream Magazine and blogs as Huntress.And finally, Jennifer Shahade is the author of Chess Bitch: Women in the Ultimate Intellectual Sport. She tells Anne Strainchamps where the title of her book came from. Obviously the word ´´bitch” occurs throughout this interview but always in reference to the book title. It is never used as profanity. [Broadcast Date: August 3, 2012] 1. Language: English. Audio sample: http://samples.audible.de/rt/tbon/120803/rt_tbon_120803_sample.mp3. Digital audiobook in aax.
The Waste Land is a long poem by T. S. Eliot. It is widely regarded as one of the most important poems of the 20th century and a central text in Modernist poetry. Published in 1922, the 434-line poem first appeared in the United Kingdom in the October issue of The Criterion and in the United States in the November issue of The Dial. It was published in book form in December 1922. Among its famous phrases are ´´April is the cruellest month´´, ´´I will show you fear in a handful of dust´´, and the mantra in the Sanskrit language ´´Shantih shantih shantih´´. Eliot´s poem loosely follows the legend of the Holy Grail and the Fisher King combined with vignettes of contemporary British society. Eliot employs many literary and cultural allusions from the Western canon, Buddhism and the Hindu Upanishads. Because of this, critics and scholars regard the poem as obscure. The poem shifts between voices of satire and prophecy featuring abrupt and unannounced changes of speaker, location, and time and conjuring of a vast and dissonant range of cultures and literatures. The poem´s structure is divided into five sections. The first section, The Burial of the Dead, introduces the diverse themes of disillusionment and despair. The second, A Game of Chess, employs vignettes of several characters-alternating narrations-that address those themes experientially. The Fire Sermon, the third section, offers a philosophical meditation in relation to the imagery of death and views of self-denial in juxtaposition influenced by Augustine of Hippo and eastern religions. After a fourth section that includes a brief lyrical petition, the culminating fifth section, What the Thunder Said, concludes with an image of judgment.
(2015/Sundazed) 12 tracks. Wayne Cochran! The exclamation point is there for a reason. Known as ´The White Knight of Soul,´ Cochran was flamboyant in both voice and attire. Crowned by a swooping white pompadour, he held back nothing on stage. His performance style was very reminiscent of fellow Georgia native Little Richard Penniman. Like Penniman, music led Cochran to his current career as a minister. Anyone who’s ever witnessed a fire-and-brimstone southern gospel service can see the connection between gospel’s passion and r&b’s groove. Issued by Chess Records in 1967, Wayne Cochran! captured the outrageous energy of his live show within the album’s grooves. This explosive collection of songs proved that Cochran deserved to share the label home of r&b greats like Etta James, Howlin’ Wolf and Muddy Waters. Rather than a traditional artist portrait, the front cover features an outline of his white pompadour against a black background. Simple and direct, it stood in stark relief against the sea of day-glo, psychedelic imagery of the day. To put it another way, the cover art clearly conveyed that this album was all killer, no filler. The original mono version of this LP is incredibly rare and changes hands for princely sums. However, there is no need to empty the savings account now that Sundazed Music has prepared a righteous reissue, in glorious mono! Sourced from the original analog master tapes, this Sundazed edition is 180gm of concentrated soul. Just add a turntable and watch the party spring to life!